Showing posts with label Ryan Kirk. Show all posts
Showing posts with label Ryan Kirk. Show all posts

Tuesday, March 1, 2011

Buddha Box 2.0


Last year I composed a new piece for Obey Convention IV called Buddha Box 2.0 for four electric guitars and electric bass. The piece is very simple to play and I've uploaded it for all to download and in my dreamy hopes, perhaps in some circumstance, a group of beings might want to play it.

You can listen to the performance here on soundcloud. I think I had more fun making the score than the piece - The score is actually mostly text based. The graphic score exists mostly as an accompaniment to help the performers "get in the vibe" although neither the text or graphic score existed at the time of the performance, I just told them what to do. I am planing on doing some screen printed versions of the score as well.

Thanks to Emily Robb, Ryan Kirk, Jason Eastwood, and Luke Corrigan who all helped realize this piece and a special thanks to Darcy Spidel for programing it and Lukas Pearse for recording it.

You can download all the files you need HERE.

PS. This is Avant-Lard's 100 post! Thank you all for following!

-Z


Buddha Box 2.0 by zacharyfairbrother

Tuesday, November 17, 2009

Games by Ryan Kirk

Reposted from Ryan Kirk's Blog, Nayr Krik.

Great blog! Ryan has some very interesting muses and points. A multifaceted musician and writer, Kirk creates music centered around mythology and is an avid drone-practitioner. Kirk can play many instruments including french horn, trumpet, guitar, and piano. He is a very interesting, thoughtful, and thorough writer of both prose and music. Please enjoy this wonderful essay he posted! Thanks for sharing Ryan!

-Z
_______________________________

"A game is an activity among two or more independent decision-makers seeking to achieve their objectives in some limiting context." (Clark C. Abt)

I have always been fascinated by games. Whether board, video, role-playing, abstract, or sport, games have always managed to suck me in and in many cases to distract me from other more pressing matters. I’ve been thinking about them quite a bit lately and so I’ve decided to share some of my experiences, observations, and ideas relating to games.

Games can be based around three different methods; skill, strategy, and chance. Although in practice most games somehow blend two or more of the above. Even a game as simple as dice, though it may appear to be all chance involves some kind of strategizing and decision-making. And games that appear on the surface level to be all about skill, like hockey or football actually involve a fair amount of strategy and large scale planning.

My own history interacting with games, and most likely yours, goes back to the earliest days of my childhood. Beginning with simple games like catch, musical chairs, and tag, children learn to interact with one another in specific social contexts. In a way games become social rituals for children that determine appropriate behaviours and modes of interaction and establish hierarchies and pecking orders. They also often encourage conditioning and development of the body and motor skills as well as encouraging a healthy psychological state by facilitating play and learning.

As well as those simple children’s games, I was also exposed to traditional boardgames in my home. We always played the staples, snakes and ladders, parchisi, checkers, and then when I was a bit older some of the more complicated ones like chess, Scrabble, and Risk. Risk was always my favourite. I was a typical kid and loved playing with army men and G.I. Joes and watching old war movies that would play on television during the day. So I guess the idea of controlling whole armies over continents and ultimately the world really appealed to me. I played all kinds of boardgames and cardgames throughout my childhood and they have a special place in my memories. But then videogames came onto the scene.

I got my first Gameboy for Christmas when I was six or seven. It came with Kirby and I was hooked from the start. From there I got a few other classics like Mario and Zelda and then a year or two later my brother and I got a Super Nintendo and a little colour TV to play it on for Christmas. Super Mario World consumed my childhood. I played it incessantly and even today I will once and awhile hook up the old Nintendo and it instantly takes me back to the countless hours I spent as a kid trying to reach %100.

From that point on videogames mostly dominated my gaming experiences. I tried my hand a few sports, but never really took to any of them, and unfortunately my obsession with videogames stopped my board gaming short. Which brings me to the downside of some forms of gaming, specifically videogaming. At certain points in my preteens and early teen years I became so obsessed with games that I would relegate school work, physical activity, and socializing just to get further ahead in the games. It wasn’t all bad, and some of my friends played videogames, so there were social times of playing together. Overall though I would say there were far more hours spent playing them alone in my room. There was also the frustration they posed. There would be points where instead of having fun I would get so angry I would throw the controller at the floor. Fortunately I grew out of that pretty fast. By the time I finished high school I was only playing videogames sporadically. I had found other activities that interested me more and used my time in more productive ways. I still don’t feel that videogames are bad, but they can become addictive in ways that I never experienced with social games or boardgames.

These days I’m pretty busy and don’t have much time for games. But when I do I tend to prefer boardgames and cardgames. I find that videogames are too time consuming. A boardgame can start and end in an hours time and it allows you to game in a social way. Whereas my experience with videogames tends to be that an hour just wets your appetite and that generally it’s more difficult to videogame socially. My favourite games these days are mostly strategy and abstract. Games like chess, checkers, backgammon, Risk, and Diplomacy. Diplomacy takes the interactive element of gaming to the extreme, I’ve only played it once but would love to try it again. I also enjoy a few cardgames; poker, cribbage, and crazy eights.


These days I also see elements of gaming and play in other activities I enjoy. One that rings especially true to me is music making. Although in many cases music exists as more than just a pastime or fun activity, it still involves elements that are shared by games. There are often multiple independent agents involved, and there is usually a common goal of some kind as well as a limiting context and the same elements of chance, strategy, and skill figure in. Take for example a symphony orchestra; the members are all working towards the goal of realizing the piece being performed, the conductor and performers use strategies to ensure a successful performance, the players need skill to actually perform the parts when they come up, and as far as chance, well things can always go wrong. It’s even plainer to see in improvisation.

Artists like John Zorn even explicitly compose game pieces. Where players can compete and there is a conductor who establishes rules and divides players into sub-ensembles or teams. In some cases there are even point systems. Free improvisation also incorporates a large component of game and play. Within the performances there can be room for competition and subversion. Music like John Cage’s Book of Changes draws explicitly on chance through the use of dice, a tool common to many games.

I find games interesting because they seem like such a natural human activity. Boardgames date from the earliest known civilizations in Mesopotamia, and in many cases are not that far off from contemporary games like chess. They’re a productive pastime that encourage socializing and stimulate your mind. Games can offer you an escape from the everyday world, yet in familiar and comfortable ways, either through simulating a situation or encouraging roleplaying. After all, who doesn’t want to conquer the world, especially when the leaders you’re competing with are all your best friends?

-Ryan Kirk

Saturday, October 31, 2009

Matthew Duffy and Ryan Kirk - To the Storm/Offering/Taurus/Awake

Two of my favorite people and respected peers Matthew Duffy and Ryan Kirk have began collaborating together and we are all are better for it. This is a very focused performance from a house show involving poetry, samples, loops, guitars, and references to Stockhausen. Here's what Ryan says on his blog about the performance,

We mostly exchanged rough cut recordings of vocal lines and poems over e-mail taking turns making transcriptions of parts of them and turning them into melodic heads that could be improvised on and around. Then we added in the melodic line of Taurus from the Karlheinz Stockhausen composition Zodiac. Both of us are Taurus', so it seemed appropriately cosmic.

The show took place in a loft in Halifax during a Halloween party and the musics very spooky indeed. Ryan's guitar playing is somewhat like Bill Frisell's at times but with a very anxious vibrato. The composition sort of reminds me of Marianne Faithfull's record Strange Weather, in which Frisell lends his talents. It's similar to that record in terms of vibe, something to listen too during strange weather perhaps, and in the production in terms of the space each of the players allows each other. Of course Kirk and Duffy are only a two piece and not a small chamber orchestra, but through the use of samples and the distance and patience that they each give each other, they achieve similar moments. This is a visceral performance but it is well thought out. Matthew Duffy's vocal delivery and performance is the best I have ever heard from him. His ideas and skills seem to be coming into fruition. He goes through a wide range of emotions throughout the performance, sometimes reciting bizarre poetry, to wide-vibrato-crooner-like singing, to desperate and tortured screaming. His Clarinet playing is the best I've heard as well, very sparse, which is perfect for this musical landscape, he carves out strange melodies and phrases to accompany the guitar.

Excellent performance, I only wish I was there. These two are known for very ritual inspired performances, and I'm sure with the visual and performance aspect of this piece, the work would only be stronger. If there are any pictures or videos please send them my way!

Here's Ryan's blog on the show!

http://rapidshare.com/files/300527338/To_the_Storm_Offering_Taurus_Awake.mp3

-Z

Ryan Kirk

Matthew Duffy and friend

Monday, September 21, 2009

Land Otter Man - Origin is the Creator - AVL - 03


A couple years back I did a doom/metal/ambient/drone inspired project under the moniker of The Land Otter Man. I had access to the electro-acoustic studios at Dal at the time, so I got to use all sorts of really cool synths, including an ARP 2600! For those unfamiliar with that particular synthesizer, it's the one used to create the voice of Star Wars R2D2. Most of the stuff is created in the studio or at home using Ableton Live. I play guitars, percussion, synths, radios, mixers, and drum machines, to paint a pretty black picture. Drone-Aggedon is a piece recorded live in my friend Ryan's bedroom with him on French Horn and Keyboards and my other buddy Dan on percussion. Origin is the Creator uses the Arp 2600 to create some pretty tense drones. It's 5 tracks clocking at just over an hour, space and doom out!

Perhaps I was pretty depressed when I was making this music, it certainly sounds like it. There is no artwork.

-Z

http://rapidshare.com/files/283160710/Origin_is_the_Creator.zip

Tuesday, September 8, 2009

Current 93 Present: Sveinbjorn Beinteinsson “Edda”

This album, presented by the English esoteric front Current 93, consists of the recitation of ancient texts from the Icelandic Edda by Sveinbjorn Beinteinsson. The Eddas are a collection of texts and poems in Old Norse that were first recorded in Iceland sometime shortly after it officially became Christian in 1000 AD. The texts deal mainly with the mythology of the gods and goddesses of the Norse pantheon as well as some heroic lays concerning legendary mortals. The texts most certainly preserve a much older oral tradition of bards and priests who would recite these legends for attentive audiences. That practice died out in the face of Christianity, but fortunately a large number of the legends and tales were written down by interested scholars and preserved for our enjoyment today.

Each recording here presents a different Eddic poem in recitation. For those of us who don’t speak Icelandic the text is indecipherable, but the rhythmic and repetitive chants are captivating and certainly conjure the stark imagery one would associate with poems once recited on long winter nights around the fire. The texts of the first two tracks are worth a specific mention though, as they are two of the most commonly presented Eddic texts. The first, the Voluspa, presents a sweeping mythological history stretching from the origins of creation to the destruction of the gods and immolation of the earth. The Voluspa is followed by the Havamal: the maxims of Odin. The poem consists of a series of formulaic stanzas that offer instruction in proper social conduct as well as advice for leading a prosperous life.

Sveinbjorn Beinteinsson was a prominent figure in the recent history of Iceland. Born in 1924 he became a sheep farmer at the age of 20 and went on to become a religious figurehead during the 1970s. He founded a group in 1972 dedicated to the practice of the old religion of Iceland which today numbers its members in the thousands. He also published several books on the verse forms of traditional Icelandic poetry as well as several volumes of his own poetic works. He passed away on December 23rd 1993.

-Ryan Kirk

Yakutia: Epics and Improvisations

Here we are presented with the traditional epics and improvisations of the Yakuts, an indigenous people of Siberia. The album includes the recitation of epic poetry and ceremonial incantations as well as instrumental improvisations on fiddle and jaw harp. The music is reminiscent in some ways of other traditionally shamanic or nomadic cultures of the north, but also very individually rich.

The most striking thing about these recordings is the importance of timbre and harmonics. The vocalists draw on a number of different techniques that produce guttural growls, scratchy voices, multiphonics and harmonics, and yodeling. The extended improvisations on jaw harp produce a staggering array of sounds and harmonics, more then I have heard from recordings of any other cultural group, and the fiddle playing is jagged, rough, and harmonically rich, bringing to mind the scratching sawing of Tony Conrad more so then a traditional folk musician.

The only information I could find on this record is that Henri Lecomte recorded it for Buda Records sometime between 1994 and 1999. I was unable to track down any information on possible performers.

-Ryan Kirk

http://rapidshare.com/files/277305009/Yakutia_-_Epics_And_Improvisations.zip

Buddhist Bells, Drums, and Chants

This is a great Lyrichord recording of Zen services in the temples of Kyoto, Japan. The Japanese Zen tradition developed from the Chinese Ch’an division of Mahayana, or Great Vehicle, Buddhism in the 12th century. During their services they recite and chant important sutras from the Buddhist literature. They have also incorporated the use of traditional Japanese percussion instruments, and in some cases flutes, to begin, accompany, and end ceremonies.

This recording presents some beautifully recorded recitations of Sutras accompanied by bells. The chants themselves are relatively simple and repetitive without any understanding of the text, but the rich accompaniment of the bells renders the whole thing beautifully ethereal. The chanters don’t seem to be terribly exact in their unisons, but these melodies do hint at the aching bends and micro-tonal inflections that make Japanese court music so hauntingly beautiful.

It should be noted that these are live recordings of ceremonies and they therefore include the odd background noise such as shuffling feet or coughing. I like to think it adds to the ambiance though.

- Ryan Kirk

http://rapidshare.com/files/277086006/Buddhist_Drums__Bells___Chants__Japan_.zip

Monday, September 7, 2009

Deer Skull - Wolves Devour the Flesh of the Untrue - AVL - 02

Deer Skull was a black metal project that took place during the winter of 2009. Me and Ryan both became obsessed with black metal and decided to form a band. It's some pretty fucked up music I must say, but I am really proud of it. We started out writing songs but gradually the music became more and more fucked up and our love for improvisation took over, so we did lengthier, weirder music. We did a couple of shows, both radically different and improvised. I hope to play again. It's a really easy band to tour. Anyways Avant-Lard is proud to release, it's second release, Deer Skull's Wolves Devour the Flesh of the Untrue. Art by Ryan Kirk.

-Z


http://rapidshare.com/files/276994354/Deer_Skull-Wolves_Devour_The_Flesh_of_the_Untrue_for_Avant_Lard_Release.zip