Showing posts with label chris d'eon. Show all posts
Showing posts with label chris d'eon. Show all posts

Saturday, March 5, 2011

Weird Canada

So I contribute to a blog called Weird Canada - most of you probably are familiar with that site as I check my stats and a lot of my traffic is directed from there. CBC's radio 3 as had a competition this month to find out what is Canada's best music website. Starting from the bottom 100 or so or whatever we have made it to the final stage of the vote - the top 10. 

We feel that if Weird Canada wins this will be a small cultural victory for Canada. We will have toppled many mainstream industry blogs and will have stricken a wake up call to the CBC that underground music is important to Canadians. That Weird Canada is a strong force for new music in Canada. Many artists that have been featured in Weird Canada in the last year haveseen their music travel far and wide. While I know all these band's work so hard promoting their music and honing their craft - no doubt has Weird Canada's effort helped their cause. 

Artists like D'eon, Grimes, and Dirty Beaches - to name a few have all been covered early in their careers on Weird Canada. These artists music has been released on foreign labels and since been covered in major media outlets and blogs like Pitchfork, Vice, MTV, BBC - even D'eon appearing on Thom Yorke's playlist - but have seldom received support or radio play from the CBC. We feel that we cover the best of Canadian music at Weird Canada and we are always trying to expand our scope. Now I live in the United States and I hear my friend's talk about bands like Gobble Gobble, Make Out Video Tape, and Long Long Long - all of which have been covered early in their starts on Weird Canada. I wondered if they would have known about them if their wasn't a Weird Canada.  

Here are some inspiring words from Weird Canada founder Aaron Levin sure to get your DIY blood flowing - and please vote for Weird Canada HERE

-Z

From Weird Canada

CBC Radio 3 is running a pyramidal voting scheme, vetting Weird Canada through a triumvirate of keystrokes, sinusoids, and opinionated minds. A conspiracy of this calibre must be met with deep suspicion and deliberate candor. They pit us against each other – our fellow publishers. They split our fans – those beautiful beings. They place the unbearable suffering of expectation on all who speak their name. Ye wyld typists vie for the last shard of national recognition.

Our radio Narsil has us deep in the trenches, spending weeks at your foot begging for another integer. In the heat of the mud no ideal will last. All succumb to it. Thick. Greasy. Swelling with the rainbows of fallen candidates. In the beginning we shouted “No! This voting scheme shall not stand! Free it all! Let the streets run wild with the multitude of our opinions!” But now, as the blue skies turn black, I face you filled with the adrenaline of conviction. We believe. We want to win. We write these very words to justify our victory grip.

Thanks to your support, the absurd notion that Weird Canada may win has become a reality. We have blown away all the flagpoles and are staring blankly into the void. The Top 10. Why is this important? Why does this matter? Win or not, Weird Canada will remain an exploratory experience for the brazenly adventurous. We will always focus on our northernly kin and enthuse, physically scan, and hyperbolize all the wonderful manifestations of creative potential this country has to offer. Our daily operation will continue, delightedly, into the unheralded cassette oblivion.

However, the Canadian psyche is shifting. Winning this contest may push it further into our camp. The middle ground of indie music is disappearing. The plates are grooving under due pressure from self-recorded geniuses and the industry cannot will not handle it. So we’ve come to you, our people from coast-to-coast, to ask for your vote. A vote along the streams of time. A vote for the only entity proudly bearing the emerging flag of a new northern identity. An identity not born in the offices of minor-majors, but one bursting with the charged, chromatic life festering within tape dubbers, cd burners, pressing plants, and photocopy machines.

We. Are. Northernly.

VOTE WEIRD CANADA

Hearts,

Aaron Levin
Weird Canada
weirdcanada.com

PS – No sign-up. Two Clicks. Vote daily, every 24 hours, until our star shines ever brighter.


Monday, November 16, 2009

Mix by Chris D'eon

Avant-Lard has been Mr. D'eon heavy lately and we like it! I asked Chris to come up with a mix to feature his extensive knowledge of electronic and pop music. It also features quite a few tracks by Chris himself. So here it is, the exclusive Avant-Lard mix from Chris D'eon!

-Z

PLAYLIST

chris d'eon - artificial jurisprudence
fingers inc - another side
clarence g (drexciya) - data transfer
metro - brownstone express
wajd - civic planning
chris d'eon -
loose ends - hangin' on a string
chris d'eon - the girl from köln is gone
s.o.s. band - even when you sleep
chris & cosey - hazey daze
unknown - tashi laso, at the top of lucky valley (bhutanese)
cabaret voltaire - arm of the lord
cabaret voltaire - james brown
wajd - ashqabat
zed bias - been here before
dem 2 - destiny
indo - r u sleeping (bump & flex vocal mix)
a.c. marias - just talk

chris d'eon - mix nov 2009 by wajd

Tuesday, November 10, 2009

Troy Richter Interviews Chris D'eon

Chris D'eon is a musician from Dartmouth Nova Scotia. Chris seems capable of just about any music he sets his mind too. In years past he played classical piano, tackling the technical romantic masters of Rachmaninoff and Liszt, before moving on to the industrial noise band Dead Hookers, (it's important to note that Chris has since renounced this band), in between he composed on his own and played in bad high school funk bands. Recently, Chris has moved to Montreal and has been dividing his time between dubstep inspired techno and weird ethno-folk-pop, all the while lending his talents on bass to Omon Ra II and co-running a tape label with myself and fellow maritime ex-pat Matthew Wilson called Numbers Station. He recently put out a tape on the aforementioned label and has received some very good reviews. The tape could almost be seen as an anthology with recordings that date from when he was seven years old, to high school, to now, yet remaining cohesive in its extremely idiosyncratic nature.

Chris was interviewed by Troy Richter. I have had the pleasure of working with Troy over the last couple of years, writing, recording, and performing with him on multiple occasions. Mostly helping with his Friendly Dimension project. He has earned himself a cult like status most notably for being the front man to the now defunct, minimal punk band Gilbert Switzer, whose influence may not be fully realized until later, as you can hear their signature sound ripple through the young bands of the punk underground of Montreal and beyond. Currently Troy reads and watches lots of movies, favorites include Argento horror movies, and then philosophizes about them in his poetry, which as he puts it tries to "unite the personal with the universal." Troy did this interview on his own free will and offered to donate it to Avant-Lard. And we are very grateful he did!

-Z

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1. What gives you the biggest buzz, performing music in front of people or composing/creating music?

Making music, definitely. performing is secondary to actually making the music. The creation is the most important part of the musical process to me, and performing is only one of many ways to distribute that music.

2. Is your music strictly traditional? Do you ever mix your influences together?

I totally mix them together, but usually not intentionally. Generally when I start making a tune I think "okay, i'm going to make a ____ tune", whatever the style or aesthetic may be, but once I start putting the pieces together, the pieces seem to have come from all kinds of places, and by the time it's finished, it doesn't sound anything like what I wanted to make. A lot of the time the music that I was exposed to as a child seeps in subconsciously into the tunes I make, and sometimes the stuff I've learned in the past comes in without my noticing. So I'll try and write a pop song, but it comes out sounding like Kurdish music. I'd also like to mention that I really, really hate world fusion music.

3. Your Myspace wallpaper is really pretty, what is it?

Thanks-- I think it's an arabesque design from a really old book on interior design?

4. What's your favorite science fiction movie and why?

To be honest I don't know very much about movies, so I can't really think of that many science fiction movies that I know and like to begin with, but I did read lots of Isaac Asimov as a kid. The Foundation trilogy is really great, and of course the Robot stories. I really like science fiction that asks moral questions that will be applicable in the future. Especially now that we're starting to make frightening leaps in scientific progress like controlling rats' and monkeys' minds with microchips, and making computers that learn by themselves, some of the ethical issues raised in old science fiction like that are actually going to be totally relevant.

5. What's the biggest difference between Montreal and Halifax?

I don't completely know yet as I've lived here less than a year, but one difference is that drivers don't stop for any pedestrians here. Motorists are awful here, and they're allowed to turn right on a red light, so every time I try to cross the street there are cars coming at me from my right and left.

6. What is your favorite memory from your trip to India last year?

I think the best decision I could have made was to move into the dip tse chok ling monastery. Every day for two months I woke up at 6am to the sound of monks reading sutras and guru pujas. The monastery is on the side of a mountain in the himalayan foothills so every morning I could look over the valley while the sun came up over the himalayas, and watch the monkeys run around the trees below. I think I needed that Isolation from the world for a while. A few months of peace and quiet in a far away place can really shake off any unwelcome djinn.

Chris D'eon somewhere in India.



Cute photo of Troy I cropped from a picture from facebook. I believe it's China O'brien's.

Wednesday, November 4, 2009

Numbers Station and a Chris D'eon Review on Weird Canada




Myself and my friends and creative partners, Chris D'eon and Matt Wilson have decided to launch a tape label, since putting out music is so fun. Chris took it upon himself to make the first release, and what an epic release (some of the recordings are from when he was 7 years old!!!) that is perfectly matched for tape. Here's what I posted on the Numbers Station blog and check out the review!

-Z
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Re-posted from Numbers Station

Wow our first very small release gets an amazing endorsement already! Good things are brewing for this winter! Congrats to Chris and his hard work, this release is truly amazing and unique. I doubt you find a release that synthesizes such desperate genres into a cohesive embryo. This release is best realized on tape. With the at times slack and jangly sounds of tape, it give this music a depth, character, and atmosphere that is just not possible on any other medium. Buy this record now, its a certified trip, but not the one you might expect!

-Zachary Fairbrother

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Re-posted from Weird Canada

Chris d’eon’s debut cassette is an incredible 60-minute multi-genre psychedelic-meets-minimal-techno Tour de Force that will absolutely astonish, bewilder, and bewitch anyone curious enough to catch its spell. Weaving within currents of basemental panned-vocals, reverberated folk and Chicago-house-meets-Boards-of-Canada minimalia, wa al-’asr threatens all norms in genre synthesis and track sequencing. Chris d’eon has shown an incredible knack for branding every species of sound with his personal phantasms; every wavelength tinged with the unabashedly cosmic dark-age strata. As such, there is a brilliant vision ensconced inside wa al-’asr’s easter-folk and electro meanderings that is unquestionably rebellious; why try to push boundaries when committing every stream of consciousness to tape does the job for you. Let the world figure it out and they’ll fail miserably. Thankfully there are sadists like myself who enjoy trying. Amazing. Brilliant. Wonderful.

Monday, October 26, 2009

Omon Ra/Chris D'eon Split Reviewed in The Wire


I have been reading The Wire for the last few years. I remember picking it up and then having to pick up my brains off the floor. It quickly became a very important publication for me. I learned so much from this magazine and continue to do so, so it's a very big honor to be reviewed in the Wire, and by Byron Coley nonetheless!

P.S. Check out our good friends Husband and Knife's review as well! Also on Divorce Records.

-Z

Monday, October 5, 2009

THANK YOU

Photo by China O'Brien

Thank you too those able to attend the Omon Ra show this past weekend as a part of the PopMontreal Festival. Dan was riding with Mr. James Klassen and their van broke down in Quebec city a day before the show. Seeming hopeless and the that the Spirit of Jerry Garcia had finally left, Daniel and James arrived with 20 minutes to spare before our set! And alas we played, our first show in months and it went off without a hitch!

Thanks to Andy March for putting us on the bill, Chris D'eon and Matt Wilson for playing with us, the Pop Winds for letting us use their space, to all the people that rocked out, and to JMZ for getting to the gig on time!!!

Thank you!

:)

-Z

Tuesday, September 22, 2009

Omon Ra Live at Zoobizarre June 1st, 2009

Weird krautrock-tribal-dronoise-jam in 26mins of straight sound. Daniel Miller, Chris D'eon, Devon Welsh (The Pop Winds); percussion and vox. Zachary Fairbrother fuzzwahtar and vox made up this version of Omon Ra. Be sure to check us out at PopMontreal this year for something completely different than this performance. We be playing at "Le Cagibi" on Thursday October 1st, with Play Guitar and Fall Horsie as a part of the Youth Club Records showcase, Whooo! We'll be on stage at 10pm.

Filmed by Austin Milne

The other bands that played with us were Dirty Beaches and Ultrathin

-Z